大都會雜誌(metropolis):Top 10 Japanese Films of the Decade /Dec 24,2009
by Rob Schwartz
English title: Nobody Knows. (141 min)
2. Sen to Chihiro no Kamikakushi 神隱少女 (2001) by宮崎駿
Hayao Miyazaki’s best-known and most deeply loved film is Japan’s highest grossing movie of all time. Suffice it to say that it’s a masterpiece in the truest sense: a forcefully personal yet universal vision that is both bizarre and approachable at the same time, sketching a kaleidoscope of moods and feelings.
English title: Spirited Away. (125 min)
3. Tokyo Sonata 東京奏鳴曲 (2008) by黑澤清
Genre-hopping Kiyoshi Kurosawa crafted this powerful and finely tuned drama. Starting off as a brilliantly realistic tale of a laid-off salaryman, the film morphs into a surreal elegy that addresses many facets of contemporary Japan.
(103 min)
4. Mind Game 心靈遊戲 (2004) by湯淺政明
Epitomizing the sheer energy and crazy inventiveness of the best of anime, Mind Game will mesmerize those with no particular draw to the form. A man murdered senselessly in a bar takes a phantasmagorical ride through the afterlife in order to return to the land of the living. Astounding.
(103 min)
5. Fish Story 一首Punk歌救地球 (2009) by中村義洋
When Fish Story opened in March, I called it the best J flick of 2009. And I stand by that claim. The Charlie Kaufman-esque drama has everything—fantasy, romance, comedy, music, action—and its sprawling, multi-faceted plot does the unlikely by tying it all together.
(112 min)
6. Nihon no Kuroi Natsu 日本的黑夏：冤罪 (2001) by熊井啟
Kei Kumai, the only director among this lot who has passed away, is something of a forgotten man in Japan. He had a brilliant 40-plus year career, and while 1986’s Umi to Dokuyaku (“The Sea and Poison”) is his masterwork, this sly take on the Matsumoto sarin gas attacks is a tour-de-force. English title: Darkness in the Light.
(118 min)
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7. Vibrator 振盪器 (2003) by廣木隆一
Ryuichi Hiroki is among many mainstream directors who started out in softcore porn. Thus, it’s no surprise that this gripping, gritty flick, which won the Grand Prize at the Tokyo International Film Festival, portrays a promiscuous, confused woman attempting to come to terms with life.
(95 min)
8. Gururi no Koto 幸福的彼端 (2008) by橋口亮輔
Ryosuke Hashiguchi burst onto the scene in 1993 with Hatachi no Binetsu (“A Touch of Fever”), becoming the first openly gay filmmaker in the industry. This work surpasses that excellent film. It’s a wonderfully intimate and insightful portrayal of ten years of marriage, replete with indifference, challenges and surprises. English title: All Around Us.
(140 min)
9. Vital 生死攸關/死亡解剖 (2004) by塚本晉也
Though director Shinya Tsukamoto is not generally my cup of tea, this startling flick manages to be both an intense drama and a metaphysical poem. Tadanobu Asano stars as a distraught med student who has lost his girlfriend in a car accident and ends up performing the autopsy on her body. Brilliant.
(86 min)
10. Eureka 人造天堂EUREKA (2000) by青山真治
Director Shinji Aoyama’s magnum opus is a long, slow reflection on trauma and healing. Influenced by the sarin gas attacks as well as the Hiroshima and Nagasaki bombings, this hypnotic, sepia-toned tale will mesmerize those willing to put in the considerable effort.
(217 min)
by Rob Schwartz
1. Dare mo Shiranai 無人知曉的夏日清晨 (2004) by是枝裕和
English title: Nobody Knows. (141 min)
2. Sen to Chihiro no Kamikakushi 神隱少女 (2001) by宮崎駿
Hayao Miyazaki’s best-known and most deeply loved film is Japan’s highest grossing movie of all time. Suffice it to say that it’s a masterpiece in the truest sense: a forcefully personal yet universal vision that is both bizarre and approachable at the same time, sketching a kaleidoscope of moods and feelings.
English title: Spirited Away. (125 min)
3. Tokyo Sonata 東京奏鳴曲 (2008) by黑澤清
Genre-hopping Kiyoshi Kurosawa crafted this powerful and finely tuned drama. Starting off as a brilliantly realistic tale of a laid-off salaryman, the film morphs into a surreal elegy that addresses many facets of contemporary Japan.
(103 min)
4. Mind Game 心靈遊戲 (2004) by湯淺政明
Epitomizing the sheer energy and crazy inventiveness of the best of anime, Mind Game will mesmerize those with no particular draw to the form. A man murdered senselessly in a bar takes a phantasmagorical ride through the afterlife in order to return to the land of the living. Astounding.
(103 min)
5. Fish Story 一首Punk歌救地球 (2009) by中村義洋
When Fish Story opened in March, I called it the best J flick of 2009. And I stand by that claim. The Charlie Kaufman-esque drama has everything—fantasy, romance, comedy, music, action—and its sprawling, multi-faceted plot does the unlikely by tying it all together.
(112 min)
6. Nihon no Kuroi Natsu 日本的黑夏：冤罪 (2001) by熊井啟
Kei Kumai, the only director among this lot who has passed away, is something of a forgotten man in Japan. He had a brilliant 40-plus year career, and while 1986’s Umi to Dokuyaku (“The Sea and Poison”) is his masterwork, this sly take on the Matsumoto sarin gas attacks is a tour-de-force. English title: Darkness in the Light.
(118 min)
7. Vibrator 振盪器 (2003) by廣木隆一
Ryuichi Hiroki is among many mainstream directors who started out in softcore porn. Thus, it’s no surprise that this gripping, gritty flick, which won the Grand Prize at the Tokyo International Film Festival, portrays a promiscuous, confused woman attempting to come to terms with life.
(95 min)
8. Gururi no Koto 幸福的彼端 (2008) by橋口亮輔
Ryosuke Hashiguchi burst onto the scene in 1993 with Hatachi no Binetsu (“A Touch of Fever”), becoming the first openly gay filmmaker in the industry. This work surpasses that excellent film. It’s a wonderfully intimate and insightful portrayal of ten years of marriage, replete with indifference, challenges and surprises. English title: All Around Us.
(140 min)
9. Vital 生死攸關/死亡解剖 (2004) by塚本晉也
Though director Shinya Tsukamoto is not generally my cup of tea, this startling flick manages to be both an intense drama and a metaphysical poem. Tadanobu Asano stars as a distraught med student who has lost his girlfriend in a car accident and ends up performing the autopsy on her body. Brilliant.
(86 min)
10. Eureka 人造天堂EUREKA (2000) by青山真治
Director Shinji Aoyama’s magnum opus is a long, slow reflection on trauma and healing. Influenced by the sarin gas attacks as well as the Hiroshima and Nagasaki bombings, this hypnotic, sepia-toned tale will mesmerize those willing to put in the considerable effort.
(217 min)
Mood 心情點滴與廢言廢語 (6)